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The Hucklebuck
"The Hucklebuck" (sometimes written "The Huckle-Buck") is a jazz and R&B dance tune first popularized by Paul Williams and his Hucklebuckers in 1949. The composition of the tune was credited to Andy Gibson, and lyrics were later added by Roy Alfred. The song became a crossover hit and a dance craze, in many ways foreshadowing the popular success of rock and roll a few years later. It was successfully recorded by many other musicians including Lucky Millinder, Roy Milton, Tommy Dorsey, Frank Sinatra, Lionel Hampton, Louis Armstrong, Chubby Checker, Bo Diddley, Otis Redding, Canned Heat and Coast to Coast.
==Original recordings==
The twelve-bar blues was originally recorded by Paul Williams and his band, credited as his Hucklebuckers, in New York City, on December 15, 1948, with producer Teddy Reig. The composition was credited to Andy Gibson, and the recording was released by Savoy Records. The personnel on the session were Phil Guilbeau (trumpet), Miller Sam (tenor saxophone), Paul Williams (baritone and alto saxophone), Floyd Taylor (piano), Herman Hopkins (bass), and Reetham Mallett (drums).〔( Savoy Records Discography: 1948, ''JazzDisco.org'' ). Retrieved 22 October 2015〕
Williams had first heard the tune when it was played by Lucky Millinder and his band at a rehearsal earlier that year for a concert, either in Newark or Baltimore, at which both bands performed. The tune had originally been written by Gibson for Millinder, as "D'Natural Blues" (unrelated to the similarly-titled 1928 Fletcher Henderson tune),〔( Larry Birnbaum, ''Before Elvis: The Prehistory of Rock 'n' Roll'', Scarecrow Press, 2012, p.258 )〕 and Millinder and his band recorded it with that title, in January 1949, for RCA Records. The tune itself was strongly influenced by "Now's the Time", a composition by Charlie Parker who first recorded it in 1945, also produced by Reig for the Savoy label, with a band that included Dizzy Gillespie, Miles Davis, and Max Roach.〔( Steve Krinsky, ''Do the Hucklebuck!'', 2001 ). Retrieved 20 October 2015〕〔(Steve Krinsky, "D'Natural Blues", ''Do the Hucklebuck'', 2001 ). Retrieved 20 October 2015〕〔 Millinder later took court action against Gibson and United Music, the publishing company, for copyright infringement, but eventually dropped the case while retaining the rights to "D'Natural Blues".〔("Lucky Would Extract Bucks From Out 'The Hucklebuck'", ''Billboard'', 3 September 1949, p.34 )〕〔( Elena Razlogova, ''The Listener's Voice: Early Radio and the American Public'', University of Pennsylvania Press, 2012, pp.143-144 )〕
After Williams began performing Gibson's composition, he noticed that, at a show in Devon, Pennsylvania, audience members were performing a new dance, called the Hucklebuck, to it.〔( Lars Bjorn, Jim Gallert, ''Before Motown: A History of Jazz in Detroit, 1920-60'', University of Michigan Press, 2001, p.188 )〕 Williams renamed the song as "The Huckle-Buck", and his recording rapidly rose to the top of the R&B chart. It reached the #1 spot in March 1949, staying in that position for 14 weeks, and spending a total of 32 weeks on the chart. It reportedly sold half a million copies, and broke sales records. Williams' concerts became increasingly riotous; Reig claimed that he taught Williams to perform vigorously, "kicking as he played, bending and dipping, getting down on the floor while blowing that saxophone." Though Williams had several earlier R&B hits, "The Huckle-Buck" established his popularity, and he was billed as Paul "Hucklebuck" Williams for the remainder of his career.〔 Millinder's recording of "D'Natural Blues", also an instrumental, reached #4 on the R&B chart, staying on the chart for 12 weeks.〔Whitburn, ''Top R&B/Hip-Hop Singles: 1942-1995'', p.306〕
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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